The paper reflects on the theme of self-design and the tools for self-production available to us today. This research stems from the idea of using digital as a means to improve the artisan approach in design. We learn about the material through the craftsmanship of the materials, the use of tools to model them and the study of the production of the Italian designers who developed and disseminated this technique by designing reproducible objects. The continuity between wood craftsmanship techniques and digital processing has developed thanks to the sharing between the various designers and thanks to the use of real and digital sharing spaces such as FabLabs and online platforms. The shared knowledge, both theoretical and practical, has led to improve the techniques of creation and production of objects, in the past made only in the shops, then in the factories and today directly at home in full autonomy. The new design approach and new production technologies, which have developed in recent years, have also led to an update of the industry now called industry 4.0, characterized by the interconnection of the supply chain and consumer support. This brings man, in an active way, to the center of industrial production. Analyzing the productions of wooden furniture in recent years, we note how today the designers have achieved a continuity between the artisanal approach to thinking about an object and the new automated digital technologies to make it. The project carried out aims to enhance this connection between advanced technology industrial production techniques and the artisan approach in thinking, personalizing and assembling an object, with the aim of understanding how what surrounds us is produced
L’elaborato riflette sul tema dell’auto progettazione e sugli strumenti per l’auto produzione a nostra disposizione oggi. Questa ricerca nasce dall’idea di utilizzare il digitale come mezzo per migliorare l’approccio artigianale nel design. Impariamo a conoscere la materia attraverso la lavorazione artigianale dei materiali, l’utilizzo degli strumenti per modellarli e lo studio della produzione dei progettisti italiani che hanno sviluppato e divulgato questa tecnica progettando oggetti riproducibili. La continuità tra le tecniche di lavorazione artigianale del legno e le lavorazioni digitali si è sviluppata grazie alla condivisione fra i vari progettisti e grazie all’utilizzo di spazi di condivisione reali e digitali come i FabLab e le piattaforme presenti in rete. Le conoscenze condivise, sia teoriche e sia pratiche, hanno portato a migliorare le tecniche di creazione e di produzione degli oggetti, in passato fatti solo nelle botteghe, poi nelle fabbriche ed oggi direttamente in casa in piena autonomia. Il nuovo approccio progettuale e le nuove tecnologie produttive, che si sono sviluppate negli ultimi anni, hanno portato anche ad un aggiornamento dell’industria ora denominata industria 4.0, caratterizzata dall’interconnessione della filiera e dal supporto del consumatore. Ciò riporta l’uomo, in modo attivo, al centro della produzione industriale. Analizzando le produzioni degli ultimi anni di mobilio in legno, si nota come oggi i progettisti abbiano raggiunto una continuità tra l’approccio artigianale nel pensare ad un oggetto e le nuove tecnologie automatizzate del digitale per realizzarlo. Il progetto realizzato mira a valorizzare questa connessione tra le tecniche di produzione industriale di avanzata tecnologia e l’approccio artigianale nel pensare, personalizzare e assemblare un oggetto, con lo scopo di comprendere come viene prodotto ciò che ci circonda
AUTO PROGETTAZIONE E INNOVAZIONE DI PROCESSO PER L'INDUSTRIA 4.0
LEONE, VITO
2019/2020
Abstract
The paper reflects on the theme of self-design and the tools for self-production available to us today. This research stems from the idea of using digital as a means to improve the artisan approach in design. We learn about the material through the craftsmanship of the materials, the use of tools to model them and the study of the production of the Italian designers who developed and disseminated this technique by designing reproducible objects. The continuity between wood craftsmanship techniques and digital processing has developed thanks to the sharing between the various designers and thanks to the use of real and digital sharing spaces such as FabLabs and online platforms. The shared knowledge, both theoretical and practical, has led to improve the techniques of creation and production of objects, in the past made only in the shops, then in the factories and today directly at home in full autonomy. The new design approach and new production technologies, which have developed in recent years, have also led to an update of the industry now called industry 4.0, characterized by the interconnection of the supply chain and consumer support. This brings man, in an active way, to the center of industrial production. Analyzing the productions of wooden furniture in recent years, we note how today the designers have achieved a continuity between the artisanal approach to thinking about an object and the new automated digital technologies to make it. The project carried out aims to enhance this connection between advanced technology industrial production techniques and the artisan approach in thinking, personalizing and assembling an object, with the aim of understanding how what surrounds us is producedI documenti in UNITESI sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.
https://hdl.handle.net/20.500.14253/92285